The ‘mintji’ or traditional cross-hatching the Yolgnu paint with ochres on barks, hollow logs and other artefacts is mesmerisingly beautiful. It also radiates power. It encodes sacred knowledge about the land and sea and documents the Yolgnu’s connection to country over 60,000 years. Within three decades of the arrival of white colonists in 1935, the Yolgnu had used their art for political gains. They revisited the tactic in the courts, winning crucial land and maritime rights.
Listen to Episode 3