Garawan Wanambi’s rosy-hued paintings are made with the ochre, or ‘gapan’ of the land itself – they channel his deep relationship to country. Gunybi Ganambarr, a co-caretaker of Yolngu country around Gangan, NT, uses found materials such as PVC piping as well as traditional media such as hollow logs to create diverse and beautiful art. Yinimala Gumana, ranger and artist, is the former chair of the Buku-Larrnggay Mulka Art Centre. These three artists take us to the site of a terrible massacre of their people in 1911 – and beyond it, to the art and heart of Yolngu culture today. Though it can cost around $600 to get a ‘bush taxi’ to convey their art to Yirrkala, they will not forgo living on country and upholding its rituals – an option derided as a ‘lifestyle choice’ by one former Australian prime minister.
Will Stubbs was a criminal lawyer from Sydney doing Aboriginal Legal Aid, when he ‘got sung by a Yolngu chick’ from Yirrkala, in North-East Arnhem Land. Their teenage daughter now negotiates the two worlds that, as manager of the Buku-Larrnggay art centre, Will has bridged for over twenty years. He sees himself as a ‘dung beetle’, who picks up the shimmering art the Yolngu ‘deposit’ as the detritus of the ceremonial and spiritual practice that infuses the pure art that is their life.
Luckily, it sells.
Listen to Episode 2